We cycle up arriving about 8.30 and having paid our hard earned on the door we catch the last half song of what is probably the 7th band of this all dayer. I’m pretty sure with post gig research I’ve got all the right bands in all the right order but forgive me if I haven’t. At first I thought the DJ was playing The Slits’ Bongos on the Lawn with screechy shouting and as I didn’t make it as far as even seeing the stage for this set (not a mean feat at the small windmill) only later research revealed our hero to be a 12 year old kid called Ned "The Kids" Dylan. A shame we missed the rest of the set but mightily impressed one so young could sound so much like The Slits, who were probably about 3 years older when they recorded Bongos. We decant to the garden which is packed with bearded sockless youths. Either they’ve all descended for the night or the Brixton Streatham borders are so trendy now that this is their local. Either way once back inside it’s comforting to see the older locals watching the footie highlights on an tablet propped up against a pint glass. God know how they heard the commentary.
Next up are Keith TOTP of whom I’ve noticed quite a few folk wearing their T shirts outside. Turns out that thats because they are all in the band. I think there were 10 of them but as the stage is so small they were all intermingling it was like counting tadpoles. Not sure if the main man is Keith but he would sure make an impression on TOTP. He seems to like themes the best one being that he hates Peace (I assume the band) with a vengeance (er, I assume the band, maybe he just hates not having conflict) and gave us a lovely rant about it. Shouty ranting is what he does best and very good at it too. About half the band are guitarists who all play exactly the same chords which don’t sound impressive but is if they don’t know the songs which none of them seemed to. The intro to most was not the standard 1-2-3-4 but A - B minor – C sharp – D in other words telling the guitarists the chord changes. What with the rocking guitar, a bassist in the mix next to the guitarist who’s birthday it was who pogoed erratically and drunkenly, the sax player and a very smiley lady playing a saw, as in a woodwork saw, the whole experience was punk rock indeed and sounded like some punk garage club gig recorded on a TDF C90 cassette. So slightly better quality than Bongos but not much. Lutz informs me that the musical saw is a very common instrument in Germany especially in his part of the world where I assume they can't afford violins. Once enlightened of the beautiful soaring notes I did indeed atune my ear to the saw and was well impressed with the player both for perseverance in the face of punk rock adversity and staying in time and tune. All in all very anarchic and ending when Keith ran out of arm to write song titles on and birthday boy staggered off the stage. Puts us right in the mood for the night and we journey outside again into the throng and resisting the cooling bbq fare.
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| Keith TOTP : birthday boy to the left of me saws to the right |
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| Crap camera and crap cameraman make for dodgy photos. Jill Furmanovsky I'm not. |
All in all an excellent night out satisfying Lutz' lust for English Punk Rock. Turns out (the wonder of Google) that the all dayer Gracetonbury is named after Grace Creedy who I assume was jumping about to Fruitbat? Who knows.


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