Couple of days before New Year our daughter confirms that she'll be at a sleepover party so Debbie and I search for a fittingly cultural way to see out the old year, welcome the new and celebrate Debbie's birthday which is new years day. Everything is either sold out or has a price tag of £15 plus just to enter a pub so we opt for that steady fall back that is the Windmill Brixton. £15 for us both to go watch a few bands, one of which supported TFWF, plus DJ. And we can cycle there and back. The evening starts well with me accompanying my daughter and her two friends to the party during which walk one decides she has a stomach ache and is too ill to party. After a quick drive to Oval to drop her off home I get changed to go out (put on my docs) and we cycle round to friends for a quick NYE drink. We are greeted by three kiwi husbands and three english wives. Suspecting I've walked into a weird reality TV show my nerves are calmed by being plied with champagne and vintage home made sloe gin. The conversation turns to cycling accidents whilst under the influence and I assure everyone that we'll be cycling on the pavement and taking care to avoid pedestrians. After a final (couple of) ones for the road we're cycling through the cold night to the top of Brixton Hill.
As we enter the Windmill there's a band on stage so we grab a couple of G&Ts (not as tasty or potent as the sloe gin) and sidle to the back of the stage crowd to watch
Edna Average who deliver a great set, well the half we caught, of old school post punkiness. The set lurches from hard core shouty drum driven 2 minute blasts to more poppy (as in post punk power pop, not Britney) tunes with a bit more musicianship. Interspersed with some guitar and sax breaks that could be straight from a post post-punk psychedelic neo crusty gig or festival. File next to Alternative TV as they moved from free form punk three chord anarchy noise nearing their out and out pop album Strange Kicks. As an aside, the only Wikipedia entry for Strange Kicks is Italian which is shameful for such a polished album. One of the guys in Edna Average even looks a bit like Mark Perry of ATV with a similar intense look. If you don't know Mark Perry (Sniffin Glue fanzine) and his ATV / Good Missionaries then go look them up. And listen. Way ahead of their time. Back to tonight. The set finishes with an urgency that fits with the moment of rushing to see the old year out and the new in. Must go see them play a full set. Very accomplished.
We are then treated to an indie disco on the crowded dance floor with much nudging and bumping. No grinding as far as I could see - this is the Windmill after all. At one point Debbie points out that everyone seems to be grinning like Cheshire Cats and couples dancing get closer together. There's no countdown or cheering but a spreading realisation that midnight has just passed so everyone is smiley and happy that we've lasted another year and are about to embark on a new one with all the pleasure, and pain, that that will bring. After a breath of fresh air in the back garden, serenaded by barking Roof Dog, we go back into the main room but to be honest the earlier sloe gins are catching up with us both and what with all the excitement of the night we're flagging so we decide to depart and forego the main act. I do catch the start of the Phobophobes as I'm called by nature as I'm unlocking the bikes but can't really give an opinion on them. Soon we're off past the Brixton windmill itself (yes, there is one) and through Blenheim Gardens Estate before coasting down to our home and, yes, by pavement most of the way. After wishing Debbie Happy Birthday again we fall into a much earned slumber.
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| Edna Average. A worse quality photo than any you'd have found in Sniffin Glue |